THIS album was tracked and recorded on Breakglass Studios’ latest gizmo, a 1968 Neve mixing console allegedly used on Led Zeppelin’s magnum opus Physical Graffiti.
That gives a sense of the scale of the dense, dark, echoing guitar songs of this psychedelic band from Canuck, Montreal. Think of My Bloody Valentine’s droning dirges, Sixties-era Fleetwood Mac, Black Sabbath, and heaven forbid, the Alan Parsons Project for comparisons with this experimental journey over the mountain peaks of long-haired classic rock.
Then add the sunset vocals of Jace Lasek and wife Olga Gorean, the muscle to her muse, to complete their rapturous nocturnal roar.
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