Home working is nothing new, says ANDREW MORRISON of York Civic Trust. The Georgians did it all the time...

Many of us have set up our homes to allow us to work remotely during this coronavirus pandemic. But while we’re in lockdown, perhaps we can take inspiration from the fact that we’re not the first to practise ‘home working’. The grand 18th century homes that so many of us enjoy visiting today (when we’re able to) got there long before us.

Working from home was a common practice for the owners of these mansions. But it wasn’t a case of using the dining table, kitchen surface or the spare bedroom for them. Some important business was conducted in bedrooms and dressing rooms - but that is a different story!

Each of the many rooms in a house from the 1700s had its purpose and each room had its own specific furniture made in the latest fashion to accommodate the most up-to-date thinking.

The example in the photograph right) of an innovative work-station or 'convenient table', gifted to Fairfax House by Noel Terry, was made sometime around 1750 to meet the home working needs of the day.

The library, lined with books, was the place to work. Expanding global trade, scientific understanding and exposure to new cultures and ideas resulted in a more diverse range of subjects for publishers to create heavily illustrated and often very large books.

Having these books in a private library demonstrated your excellent tastes and up-to-date thinking and created opportunity for creativity and conversation with friends and acquaintances.

This increased globalization also brought new fashions, materials and professions to the home and office. The furniture industry expanded enormously - new books of ingenious designs and the latest fashions were launched, and interior designers and makers became highly sought after.

Fine furniture began to be made in exotic fine-grained woods. Mahogany from Jamaica was imported into Britain in huge quantities - and unhappily an integral part of Britain’s global economic network involved the transatlantic trade in enslaved people from West Africa.

Some furniture designs from the time are still in use today as David Hockney has demonstrated working from his desk at home in Normandy during the current crisis (picture, left). His drawing table bears a strong resemblance to designs published in 1793 by Thomas Sheraton, one of Britain’s most famous furniture designers.

John Cobb, a London cabinet make, was the first to introduce the so-called ‘convenient table’ into fashion. These were pieces of furniture that ‘draw out in front, with upper and inwards rising desks, so healthy for those who stand to write, read or draw.’

The design allowed large and heavy books to be handled and consulted safely as well as providing space for drawing.

The ratcheted double rising top created a flexible slope to hold a book or artist’s paper. At a time of improved knowledge of the human body and effects of a rich diet, copious drinking and a more sedentary way of life it also encouraged the benefits of working whilst standing. Something to bear in mind!

The convenient table at Fairfax House is made from mahogany. This is a very strong hardwood so the superstructure could be made much lighter than if it had been made in oak. The design of the legs copies the fashion for medieval gothic church architecture and the pierced openwork panels that strengthen the base in several ways are inspired by patterns from Chinese decoration. It is a very clever collapsible piece of furniture engineered to be strong and fashionable. But it also quite makes a very satisfying noise as the top is lifted and the mahogany ratchet clicks along.

The Fairfax House table was bought by Noel Terry for his house at Goddards on Tadcaster Road in 1934 from Mallett’s, a London antiques dealer. We don’t know who made it as makers of the 1700s did not mark their furniture with their names or company logos.

Noel Terry filled his house with English furniture and clocks from the 1700s. He bequeathed his collection to York Civic Trust in 1980. We don’t know whether he used this desk as it was intended but from the number of small objects and fragments of paperwork found in other pieces of furniture his collection was most certainly used.