“SOME day my life will be over and no-one will remember my name,” reckons Eilen Jewell, in Rain Roll In, the second song of the first of two mighty fine and mellow sets on Friday night.

Hopefully, she is wrong because although this Idaho songwriter is yet to enter the big league, no American roots singer has more feelin’ and sensuality right now than Eilen.

Friday’s show was even hotter and sweeter than last year’s Band Room debut, as the full house warmed to her slow-burning, truthful songs and personable humour.

She was accompanied by the same sublime band, all three men in black once more, and played the same Bob Dylan cover (the Basement Tapes obscurity Walking Down The Line), but her set list was richer, meatier and saltier for the hearty handful of selections from this year’s Sea Of Tears.

Her third album has broadened her retro repertoire to embrace US garage and Sixties rock’n’roll to go with the country, swing, folk and blues, while her song-writing has peaked anew with the title track and Fading Memory, a slow-dance valedictory note that cries out for a film soundtrack.

Eilen has a seductive way of making cover versions her own too, whether interpreting Billie Holiday or The Yardbirds, or being aided on Johnny Kidd’s Shakin’ All Over by Jerry Miller’s vintage electric guitar, one of the wonders of the American music world.

Remember the name: Eilen Jewell. She promises to return to Low Mill next year. Be there.