Nothing succeeds like success. Having twice given Vaughan Williams's ballad opera at the Rowntree Theatre, in 1981 and 1995, York Opera has moved it to the Theatre Royal for the first time - a sure statement of professional self-confidence.

The move is entirely justified by Clive Marshall's spirited production. The extra space, not just on stage but in the pit, makes for a huge improvement, liberating the chorus and allowing an enlarged orchestra. Both make the most of their new opportunities.

John Soper's set is conventional English pastoral: a village square with a distant prospect of rolling Cotswolds. But it is Margaret Soper's period costumes, skilfully covering all social strata, that fix the action in the early 19th century, when Napoleon was still a threat to our shores. So it rings true when Hugh, on the verge of wresting his girl from the unwelcome embrace of the village bully, is accused of spying for the French.

His winning combination of easy charm and sure feel for the Englishness required in his tone (despite being an Aussie) make Ben Kerslake an ideal Hugh.

His top notes are nicely in place and he boasts sure-fire diction, but he can also call on a gentler lyricism, as when lamenting his fate in the stocks.

Diane Peacock's vulnerable, engaging Mary makes the perfect foil for Hugh's attentions.

But she belies her femininity with splendid bursts of colour at the top of her range. Her words are clearer after the interval, when she is into her vocal stride.

Clive Goodhead injects immense panache and clarity into his patriotic Showman.

Steve Griffiths's droll Constable is nicely balanced by Pauline Chadwick's motherly Aunt Jane. Ian Thomson-Smith is a properly forceful John The Butcher (by name and nature), a clear-cut baddy. Alex Holland makes an amusing Sergeant. Chorus members add further spice in a host of cameos.

Alasdair Jamieson's large orchestra relishes his relaxed flair, giving the music's wealth of folk tunes plenty of rhythmic bite.

Last, but far from least, the chorus is right on the ball, focused and in firm voice.

The show makes me proud to be English.

  • Hugh The Drover, York Opera, Theatre Royal, York. Further performances today, tomorrow and Saturday, at 7.30pm.