THE Vienna Festival Ballet, established in 1980, brings a little (or a lot of) festive sparkle to York before Christmas.

The company is technically impressive and incredibly synchronised in their performance, with particular attention going to larger chorus numbers. That is not to speak ill of the solo performances, all of which were stunning.

I was amazed at how simple so many of the theatrical touches of the piece were, as they made such a stunning difference to each sequence: the living dolls carried into and out of the scene were a testament to the discipline of the company. Following Clara’s dream on a Christmas Eve, the Nutcracker offered up a beautiful evening of visually breathtaking dance. From the family home to the land of sweets, the enchanting backdrop was scarcely focussed on for the even more enchanting ballet.

The lack of a live orchestra led to an occasional pause between musical sequences, but considering the size of the company and the nature of touring this is an understandable decision. It certainly doesn’t distract from the subtleties of the performance: the multi-rolling was a lovely touch, especially when Clara’s own parents appeared in her dream vision as the Sugar Plum Fairy and her Prince.

The Nutcracker is one of Tchaikovsky’s most well-known and well-loved ballets, and the company have well and truly delivered on upholding this tradition. It’s a perfect show for families, particularly as a child’s first ballet, and excellent for getting into the Christmas spirit.