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Review: Sarabeth Tucek, Fibbers


A GLACIAL performance for a chilly March evening - rising star Tucek came to prominence supporting Bob Dylan.

The pretty, petite American must have been experiencing culture shock switching from stadiums to this intimate York setting. Looking nervous and ill-at- ease, this was clearly not Tucek in her best light. Playing her well-regarded eponymous debut album in order, not a tune more or less, was an unimaginative approach.

Tucek's failure to connect with the admittedly scanty audience was in direct contrast to support act Doug Walker. Walker has the exuberant air of someone in the process of grabbing fame with both hands.

With a catchy new single, The Mystery, grabbing airplay, the Mancunian's confident piano-led songs suggested a happier Ed Harcourt.

While only his new single and Shine were really catchy, Walker is a name you should hear more of.

Tucek relied on her band to carry her. Seemingly recruited from a rock star look-alike shop, the three- piece, which seemed to include The Eels' Mark Everett on drums and Dennis Wilson on guitar, ably supported their nervous lead - particularly excelling on the standout number Hot Tears.

As the short set wore on, Tucek relaxed slightly and her torch songs started to shine.

Nightlight, with its shimmering guitar and vocal hinted at the performer's promise, but the lack of encore spoke volumes.



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