THIS is Complete Music, not to be mistaken for last year's Music Complete, technically New Order's first studio album since 2005's Waiting For The Siren's Call.
Pedants will point to 2013's Lost Sirens, but that was a compilation of left-overs and the last recordings to feature Peter Hook, now an outcast doing his own Joy Division tribute act to himself.
Complete Music is in essence More Complete Music, a collection of extended mixes of the Manchester veterans' triumphant return with Tom Chapman taking over Hook's bass-playing rumble.
If you fell in love with New Order all over again on their revitalised union of Technique-era dancefloor electronics and the earlier glories of Power, Corruption & Lies and Low-Life, then these elongated versions are even better than Salvador Dali at stretching shapes.
Restless, Singularity, Tutti Frutti and Nothing But A Fool wrap their way around you with all the slinky intent of The Jungle Book's Kaa, while Iggy Pop's impersonation of William H Burroughs on Stray Dog lingers languidly all the more.
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