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Now showing at City Screen Picturehouse 13-17,Coney Street,York,Yorkshire YO1 9QL 0871 902 5726

  • Amy
  • Ant-Man
  • Exhibition On Screen: The Impressionists
  • Inside Out
  • Inside Out (Parent And Baby Screening)
  • Inside Out 3D
  • Labyrinth
  • Minions
  • Mission: Impossible - Rogue Nation
  • Raiders Of The Lost Ark
  • Song Of The Sea
  • The Choir

Amy 3 stars

movie title

Asif Kapadia's controversial documentary about the life and times of singer-songwriter Amy Winehouse featuring contributions from her friends and family. The film details Winehouse's battle with drug and alcohol addiction as well as mental health issues, and charts events leading up to her death from alcohol poisoning at the age of just 27.

  • GenreBiography, Documentary, Musical
  • CastAmy Winehouse.
  • DirectorAsif Kapadia.
  • WriterAsif Kapadia.
  • CountryUK
  • Duration127 mins
  • Official site
  • Release03/07/2015

With her distinctive beehive hairdo, thick eyeliner and deep, soulful vocal delivery, Amy Winehouse became a defiantly outspoken icon for a generation. Born and raised in Southgate, north London, she drew inspiration from the music of Dinah Washington, Sarah Vaughan and Tony Bennett, and exorcised personal demons through her songwriting, encapsulating experiences of heartache, abandonment and despair in her emotionally raw lyrics.

"My destructive side has grown a mile wide/And I question myself again," she laments prophetically in the song What Is It About Men on her debut album, Frank. Scarred by the separation of her parents, Winehouse concealed an eating disorder from those closest to her and repeatedly sought personal oblivion in a heady cocktail of alcohol and drugs.

Her death in July 2011, at the same age as Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain, sparked a period of national soul-searching. Asif Kapadia's deeply moving documentary charts the turbulent life of the songbird, including contributions from many of her friends and family, and some of the people who worked with her and were touched by her fragility and candour.

Unfolding largely in chronological order, Amy begins with home video footage of a good friend's 14th birthday and meticulously charts her rise to celebrity, incorporating performances, interviews, rare photographs and reminiscences of the people who knew her well.

"If I really thought I was famous, I'd top myself," Winehouse tells one journalist early in the film, her words casting a shadow over subsequent scenes of triumph as Frank leaves critics reaching for superlatives and she storms America with the follow-up Back To Black, earning five Grammy awards including Record Of The Year and Song Of The Year.

The film doesn't pull punches with its depiction of her battles with drug and alcohol addiction, posing difficult questions about the culpability of the media and some of her inner circle in her tragic downfall.

Through Kapadia's lens, her father Mitchell shoulders some of that blame, firstly by advising Winehouse not to go into rehab - "I felt that's Amy's responsibility to get herself well," he offers by way of an explanation - and then by gatecrashing her recuperation on St Lucia with a reality TV crew in tow to bolster his media profile.

Her husband Blake Fielder-Civil is depicted as a similarly destructive influence, including footage of them together in the flat when she first tries crack cocaine. "I tried to sabotage myself and she tried to sabotage herself. Maybe that was our natures," he confesses.

Relationships with Alex Clare and Reg Traviss, which book-ended her roller coaster marriage, warrant only brief mentions but Kapadia would need considerably longer than 127 minutes to delve into every personal tie.

As it is, his elegantly composed memento mori leaves us with a deep sense of sadness and anger as we watch the singer totter towards oblivion, seemingly with no one to shepherd her away from the edge.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

This film is also showing at:

Ant-Man 4 stars

movie title

Cat burglar Scott Lang is released from San Quentin Penitentiary and resolves to go straight for the sake of his daughter. Inventor Dr Hank Pym invites Scott to don a superhero outfit, which shrinks the wearer at the touch of a button. Aided by Hank's feisty daughter, Scott masters the suit and learns to mind-control four species of ants. Humans and insects take on Hank's former protege, Darren Cross, who intends to sell the Ant-Man technology to the highest bidder.

  • GenreAction, Adaptation, Adventure, Romance, Science Fiction
  • CastEvangeline Lilly, Hayley Atwell, Paul Rudd, Bobby Cannavale, Judy Greer, Michael Douglas.
  • DirectorPeyton Reed.
  • WriterJoe Cornish, Edgar Wright, Paul Rudd, Adam McKay.
  • CountryUS
  • Duration117 mins
  • Official sitewww.marvel.com/antman
  • Release17/07/2015

Although its ambitions are grander than the incredible shrinking hero of the title, the latest franchise in the cluttered Marvel Comic universe is refreshingly modest compared to the computer-generated bombast of The Avengers. The script, initially penned by Edgar Wright and Joe Cornish, and was then revised by Adam McKay and Paul Rudd when Peyton Reed replaced Wright in the director's chair, leans heavily on deadpan humour.

That changing of the filmmaking guard in 2014 hasn't negatively impacted on Ant-Man. Reed's boisterous action adventure is anchored by a winning lead performance from Rudd, who made his mark as Phoebe's boyfriend in the sitcom Friends. Here, the actor flexes his comic muscles as well as his abs and pecs, which are flaunted in an obligatory scene of toplessness to prove he hit the gym for the role.

When Rudd's unlikely hero is invited to become Ant-Man and save the world, his considered response is: "I think our first move should be calling The Avengers." Sensible.

Cat burglar Scott Lang (Rudd) is released from San Quentin Penitentiary and resolves to go straight for the sake of his daughter Cassie (Abby Ryder Fortson). He shares an apartment with former cellmate Luis (Michael Pena) but struggles to find gainful employment. Desperate to pay child support to his despairing ex-wife (Judy Greer), Scott agrees to one lucrative heist set up by Luis and two pals (David Dastmalchian, Tip "T.I." Harris).

Unfortunately, the robbery lands Scott in a police cell, under the glare of Maggie's new beau, Detective Paxton (Bobby Cannavale). Inventor Hank Pym (Michael Douglas) offers Scott a way out if he agrees to don a superhero outfit, which shrinks the wearer at the touch of a button.

Aided by Hank's feisty daughter (Evangeline Lilly), Scott masters the suit and learns to mind-control four species of ants. Humans and insects take on Hank's former protege, Darren Cross (Corey Stoll), who has replicated the Ant-Man technology for his Yellowjacket suit, which he intends to sell to the highest bidder: Hydra.

Ant-Man mines a rich vein of humour to underscore the high-speed acrobatics. The 3D format is only noticeable when Scott activates the suit and seemingly benign household features, like a running tap, become life-or-death obstacles a la Honey I Shrunk The Kids.

Director Reed has great fun juxtaposing perspectives, especially in a showdown on a child's train set that is thrilling close-up, with carriages crashing off tracks, but laughably pedestrian when witnessed actual size.

Rudd invests his reformed do-gooder with charm and chutzpah, and Douglas and Lilly provide solid support as the feuding father-daughter dynamic destined for reconciliation. "This isn't some cute technology like the Iron Man suit," Hank tells Scott about his invention. Perhaps not, but this first salvo of Ant-Man is almost as entertaining.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

This film is also showing at:

Exhibition On Screen: The Impressionists 3 stars

A behind-the-scenes documentary on the Inventing Impressionism exhibition from the Musee du Luxembourg in Paris, National Gallery in London and Philadelphia Museum of Art, which explores how art dealer Paul Durand-Ruel created the modern art market by discovering Monet, Pissarro, Degas and Renoir in the early 1870s and buying their works when they were still largely ignored or ridiculed.

In 1886 New York, at a time when Impressionism faced total failure, Parisian art collector Paul Durand-Ruel took the brave decision to introduce these distinctive and modern French paintings to wealthy and enlightened Americans. The enthusiastic response convinced Durand-Ruel to fill American galleries with Impressionist masterpieces and revive interest in luminaries such as Cezanne, Degas, Monet, Pissarro and Renoir. Phil Grabsky's documentary, which has been made in collaboration with the Musee du Luxembourg in Paris and the Philadelphia Museum of Art, charts the inspirational story of Durand-Ruel and the artists he championed, who are on display until the end of May at the National Gallery in London as part of the Inventing Impressionism exhibition.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015

Inside Out 5 stars

From the moment baby Riley opens her eyes, her mood is shaped by five coloured emotions - Joy, Sadness, Fear, Anger and Disgust - which bicker behind a large control desk laden with buttons and levers. Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs. When Riley turns 11, her parents relocate from Minnesota to San Francisco. Traumatic events such as a first day at a new school nudge Sadness to the fore.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastDiane Lane, Amy Poehler, Kyle MacLachlan, Bill Hader, Phyllis Smith, Lewis Black, Mindy Kaling.
  • DirectorPete Docter, Ronaldo Del Carmen.
  • WriterPete Docter, Meg LeFauve, Josh Cooley.
  • CountryUS
  • Duration102 mins
  • Official sitewww.movies.disney.com/inside-out
  • Release24/07/2015

Despite gargantuan advances in medical science, we still don't fully understand the complexities of the human brain: its ability to process vast quantities of information, solve problems and store memories at speeds that put supercomputers to shame.

Pixar Animation Studios, the wizards who conjured the Toy Story trilogy, contemplate the vagaries of neuropsychology with this visually stunning and emotionally rich comedy, which unfolds predominantly inside the head of a little girl.

This high-brow concept doesn't seem like the most accessible subject matter for a family-oriented computer animation. But directors Pete Docter and Ronaldo Del Carmen elegantly tilt their film at the windmills of the mind and deliver a hilarious, heartfelt and ultimately life-affirming adventure that celebrates childhood innocence, family unity and the power of the human spirit to overcome adversity.

Laughter and tears abound, as well as cute visual gags, ensuring parents will be repeatedly dabbing their eyes while children whoop and gurgle with glee at the slapstick and rollicking action sequences.

A mother (voiced by Diane Lane) and father (Kyle MacLachlan) welcome a baby girl called Riley (Kaitlyn Dias) into the world. From the moment she opens her eyes, Riley's mood is shaped by five coloured emotions - golden Joy (Amy Poehler), blue Sadness (Phyllis Smith), purple Fear (Bill Hader), red Anger (Lewis Black) and green Disgust (Mindy Kaling) - which bicker behind a large control desk laden with buttons and levers.

Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs, tinged with the colour of the emotion that prevailed at the time. When Riley turns 11, her parents relocate from Minnesota to San Francisco.

Traumatic events such as a first day at a new school nudge Sadness to the fore. Following an altercation, sworn rivals Joy and Sadness are expelled from Headquarters and find themselves stranded in the labyrinth of Riley's long-term memories.

Aided by Riley's imaginary friend Bing Bong (Richard Kind), Joy and Sadness blaze a haphazard trail on the chugging train of thought back to Fear, Anger and Disgust, who have been left in charge of Headquarters, with disastrous consequences.

Inside Out is Pixar's best film since the holy animated trilogy of WALL-E, Up and Toy Story 3. Docter's script, co-written by Meg LeFauve and Josh Cooley, glisters with imagination, wit and invention, delivering guffaws with detours into the heads of Riley's parents as they attempt to deal with her pre-teenage rebellion.

Vocal performances are note perfect, led by Poehler's exuberant portrayal of Joy and Smith's sincere embodiment of Sadness, who tugs heartstrings as the film reaches its exquisite conclusion.

The film is preceded by a short: a musical love story entitled Lava between two volcanoes called Uku and Lele, directed by James Ford Murphy. Joy and Sadness shared blissful control of my mind throughout.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

This film is also showing at:

Inside Out (Parent And Baby Screening) 5 stars

From the moment baby Riley opens her eyes, her mood is shaped by five coloured emotions - Joy, Sadness, Fear, Anger and Disgust - which bicker behind a large control desk laden with buttons and levers. Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs. When Riley turns 11, her parents relocate from Minnesota to San Francisco. Traumatic events such as a first day at a new school nudge Sadness to the fore.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastKyle MacLachlan, Diane Lane, Amy Poehler, Bill Hader, Phyllis Smith, Lewis Black, Mindy Kaling.
  • DirectorPete Docter, Ronaldo Del Carmen.
  • WriterMeg LeFauve, Pete Docter, Josh Cooley.
  • CountryUS
  • Duration102 mins
  • Official sitewww.movies.disney.com/inside-out
  • Release24/07/2015

Despite gargantuan advances in medical science, we still don't fully understand the complexities of the human brain: its ability to process vast quantities of information, solve problems and store memories at speeds that put supercomputers to shame.

Pixar Animation Studios, the wizards who conjured the Toy Story trilogy, contemplate the vagaries of neuropsychology with this visually stunning and emotionally rich comedy, which unfolds predominantly inside the head of a little girl.

This high-brow concept doesn't seem like the most accessible subject matter for a family-oriented computer animation. But directors Pete Docter and Ronaldo Del Carmen elegantly tilt their film at the windmills of the mind and deliver a hilarious, heartfelt and ultimately life-affirming adventure that celebrates childhood innocence, family unity and the power of the human spirit to overcome adversity.

Laughter and tears abound, as well as cute visual gags, ensuring parents will be repeatedly dabbing their eyes while children whoop and gurgle with glee at the slapstick and rollicking action sequences.

A mother (voiced by Diane Lane) and father (Kyle MacLachlan) welcome a baby girl called Riley (Kaitlyn Dias) into the world. From the moment she opens her eyes, Riley's mood is shaped by five coloured emotions - golden Joy (Amy Poehler), blue Sadness (Phyllis Smith), purple Fear (Bill Hader), red Anger (Lewis Black) and green Disgust (Mindy Kaling) - which bicker behind a large control desk laden with buttons and levers.

Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs, tinged with the colour of the emotion that prevailed at the time. When Riley turns 11, her parents relocate from Minnesota to San Francisco.

Traumatic events such as a first day at a new school nudge Sadness to the fore. Following an altercation, sworn rivals Joy and Sadness are expelled from Headquarters and find themselves stranded in the labyrinth of Riley's long-term memories.

Aided by Riley's imaginary friend Bing Bong (Richard Kind), Joy and Sadness blaze a haphazard trail on the chugging train of thought back to Fear, Anger and Disgust, who have been left in charge of Headquarters, with disastrous consequences.

Inside Out is Pixar's best film since the holy animated trilogy of WALL-E, Up and Toy Story 3. Docter's script, co-written by Meg LeFauve and Josh Cooley, glisters with imagination, wit and invention, delivering guffaws with detours into the heads of Riley's parents as they attempt to deal with her pre-teenage rebellion.

Vocal performances are note perfect, led by Poehler's exuberant portrayal of Joy and Smith's sincere embodiment of Sadness, who tugs heartstrings as the film reaches its exquisite conclusion.

The film is preceded by a short: a musical love story entitled Lava between two volcanoes called Uku and Lele, directed by James Ford Murphy. Joy and Sadness shared blissful control of my mind throughout.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015

Inside Out 3D 5 stars

From the moment baby Riley opens her eyes, her mood is shaped by five coloured emotions - Joy, Sadness, Fear, Anger and Disgust - which bicker behind a large control desk laden with buttons and levers. Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs. When Riley turns 11, her parents relocate from Minnesota to San Francisco. Traumatic events such as a first day at a new school nudge Sadness to the fore.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastKyle MacLachlan, Diane Lane, Amy Poehler, Bill Hader, Phyllis Smith, Lewis Black, Mindy Kaling.
  • DirectorPete Docter, Ronaldo Del Carmen.
  • WriterMeg LeFauve, Pete Docter, Josh Cooley.
  • CountryUS
  • Duration102 mins
  • Official sitewww.movies.disney.com/inside-out
  • Release24/07/2015

Despite gargantuan advances in medical science, we still don't fully understand the complexities of the human brain: its ability to process vast quantities of information, solve problems and store memories at speeds that put supercomputers to shame.

Pixar Animation Studios, the wizards who conjured the Toy Story trilogy, contemplate the vagaries of neuropsychology with this visually stunning and emotionally rich comedy, which unfolds predominantly inside the head of a little girl.

This high-brow concept doesn't seem like the most accessible subject matter for a family-oriented computer animation. But directors Pete Docter and Ronaldo Del Carmen elegantly tilt their film at the windmills of the mind and deliver a hilarious, heartfelt and ultimately life-affirming adventure that celebrates childhood innocence, family unity and the power of the human spirit to overcome adversity.

Laughter and tears abound, as well as cute visual gags, ensuring parents will be repeatedly dabbing their eyes while children whoop and gurgle with glee at the slapstick and rollicking action sequences.

A mother (voiced by Diane Lane) and father (Kyle MacLachlan) welcome a baby girl called Riley (Kaitlyn Dias) into the world. From the moment she opens her eyes, Riley's mood is shaped by five coloured emotions - golden Joy (Amy Poehler), blue Sadness (Phyllis Smith), purple Fear (Bill Hader), red Anger (Lewis Black) and green Disgust (Mindy Kaling) - which bicker behind a large control desk laden with buttons and levers.

Joy is the dominant emotion in Headquarters and she safeguards Riley's memories, which are stored as glowing orbs, tinged with the colour of the emotion that prevailed at the time. When Riley turns 11, her parents relocate from Minnesota to San Francisco.

Traumatic events such as a first day at a new school nudge Sadness to the fore. Following an altercation, sworn rivals Joy and Sadness are expelled from Headquarters and find themselves stranded in the labyrinth of Riley's long-term memories.

Aided by Riley's imaginary friend Bing Bong (Richard Kind), Joy and Sadness blaze a haphazard trail on the chugging train of thought back to Fear, Anger and Disgust, who have been left in charge of Headquarters, with disastrous consequences.

Inside Out is Pixar's best film since the holy animated trilogy of WALL-E, Up and Toy Story 3. Docter's script, co-written by Meg LeFauve and Josh Cooley, glisters with imagination, wit and invention, delivering guffaws with detours into the heads of Riley's parents as they attempt to deal with her pre-teenage rebellion.

Vocal performances are note perfect, led by Poehler's exuberant portrayal of Joy and Smith's sincere embodiment of Sadness, who tugs heartstrings as the film reaches its exquisite conclusion.

The film is preceded by a short: a musical love story entitled Lava between two volcanoes called Uku and Lele, directed by James Ford Murphy. Joy and Sadness shared blissful control of my mind throughout.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

This film is also showing at:

Labyrinth 3 stars

Fantasy.

  • GenreAdventure, Family, Fantasy
  • CastDavid Bowie, Jennifer Connolly, Toby Froud.
  • DirectorJim Henson.
  • CountryUK
  • Duration101 mins
  • Official site

Showtimes (Click time to book tickets)

Thursday 30th July 2015

Minions 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastChris Renaud, Sandra Bullock, Pierre Coffin, Steve Coogan, Allison Janney, Michael Keaton, Katy Mixon, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

This film is also showing at:

Mission: Impossible - Rogue Nation 4 stars

The Impossible Missions Force (IMF) led by agent Ethan Hunt has taken down some of the most deadly criminal networks in the world using guile and state-of-the-art technology. Now the hunters become the hunted. A shadowy band of assassins known as the Syndicate targets IMF for extinction. Hunt reunites with colleagues William Brandt, Benji Dunn and computer hacker Luther Stickell to expose the Syndicate and bring down the organisation using every weapon and turbo-charged vehicle at their disposal.

  • GenreAction, Adaptation, Adventure, Thriller
  • CastJeremy Renner, Simon Pegg, Tom Cruise, Ving Rhames, Sean Harris, Alec Baldwin, Rebecca Ferguson.
  • DirectorChristopher McQuarrie.
  • WriterChristopher McQuarrie.
  • CountryUS
  • Duration131 mins
  • Official sitewww.missionimpossible.com
  • Release30/07/2015

Call it testosterone-fuelled recklessness, hubris or feeling the need... the need for speed, Tom Cruise certainly puts on a show in the fifth instalment of the Mission: Impossible franchise. He clings to the side of an airplane as it takes flight, slaloms at dizzying speed on a motorcycle and performs death-defying leaps as secret agent Ethan Hunt. The 53-year-old star performs most of these hair-raising stunts himself, allowing writer-director Christopher McQuarrie to capture every pulse-quickening second in thrilling close-up with minimum digital trickery. Cruise's commitment to his role puts fellow action stars to shame - unlike the films of Stallone and Schwarzenegger, the script is devoid of wry one-liners to poke fun at his advancing years. McQuarrie, Oscar-winning screenwriter of The Usual Suspects, bookmarks slam-bang action sequences with intentionally ambiguous exchanges between rival operatives, who acknowledge the futility of their efforts as pawns in the spy game. Their inevitable deaths will go unnoticed and fresh-faced young agents will step forward, continuing the brutal tug-of-war between political idealism and global terrorism. The film opens with the Impossible Missions Force (IMF) hijacking a shipment of nerve gas from Chechen separatists. Soon after, CIA Director Alan Hunley (Alec Baldwin) succeeds in shutting down IMF for a total disregard for protocol, which led to the destruction of the Kremlin in the previous film. The hunters become the hunted when a shadowy organisation known as the Syndicate, fronted by Solomon Lane (Sean Harris), targets IMF for extinction. Hunt covertly reunites with colleagues William Brandt (Jeremy Renner), Benji Dunn (Simon Pegg) and computer hacker Luther Stickell (Ving Rhames) to bring down The Syndicate using every gadget, disguise and turbo-charged vehicle at their disposal. The operation brings Hunt into close contact with undercover MI6 agent Ilsa Faust (Rebecca Ferguson) and her slippery handler (Simon McBurney), a sadistic henchman known as the Bone Doctor (Jens Hulten) and the unsuspecting British Prime Minister (Tom Hollander). "This may very well be our last mission," Brandt tells Hunt. "Make it count." Mission: Impossible - Rogue Nation is slickly bolted together by McQuarrie and editor Eddie Hamilton (Kick-Ass, Kingsman: The Secret Service). Turbo-charged scenes of carnage are punctuated by IMF's existential crisis in a world that regards their methods as "outdated". Cruise somersaults, punches and tumbles through every frame without breaking sweat, while Pegg, who was pigeon-holed as comic relief in the previous instalment, steps up in a pivotal supporting role. Ferguson's ice maiden doesn't thaw sufficiently under Cruise's smouldering gaze to kindle on-screen chemistry but her femme fatale snaps several limbs and necks in impressive hand-to-hand combat sequences. Humour is used sparingly to diffuse tension, leaving us hungry for another explosion of IMF antics to the pulsating rhythm of Lalo Schifrin's iconic theme. On this evidence, Mission: Impossible and its gung-ho leading man won't be self-destructing any time soon.

Showtimes (Click time to book tickets)

Thursday 30th July 2015

This film is also showing at:

Raiders Of The Lost Ark 4 stars

Action.

  • GenreAction, Children, Children's, Classic, Comedy, Drama, Family, Romance
  • CastHarrison Ford, Karen Allen, Paul Freeman, Ronald Lacey.
  • DirectorSteven Spielberg.
  • WriterLawrence Kasdan.
  • CountryUS
  • Duration115 mins
  • Official site

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

Song Of The Sea 3 stars

movie title

Ben blames his little sister Saoirse for the loss of their mother Bronagh, who vanished without trace shortly after the girl's birth. Late one night, Saoirse blows into a horn-shaped shell and she is led to a white sealskin coat. Putting on the garment, Saoirse becomes a mythical creature of the sea called a Selkie and heads into the water to swim with the seals. The next morning, the children's grandmother discovers little Saoirse washed up on the shore and the old woman entreats Ben to hide the sealskin coat.

  • GenreAnimation/Cartoon, Family, Family, Fantasy
  • CastPat Shortt, Fionnula Flanagan, Brendan Gleeson, David Rawle, Lisa Hannigan.
  • DirectorTomm Moore.
  • WriterWill Collins.
  • CountryIre/Den/Be
  • Duration94 mins
  • Official site
  • Release10/07/2015 (selected cinemas)

Nominated as Best Animated Feature at this year's Academy Awards, Tomm Moore's enchanting fantasy centres on a young boy who discovers that his mute younger sibling possesses a magical gift. Ben (voiced by David Rawle) blames his little sister Saoirse (Lucy O'Connell) for the loss of their mother Bronagh (Lisa Hannigan), who vanished without trace shortly after the girl's birth. Late one night, Saoirse blows into a horn-shaped shell and she is led to a white sealskin coat. Putting on the garment, Saoirse becomes a mythical creature of the sea called a Selkie and heads into the water to swim with the seals. The next morning, the children's grandmother (Fionnula Flanagan) discovers little Saoirse washed up on the shore and the old woman entreats Ben to hide the sealskin coat in order to protect his sister from harm.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

The Choir 3 stars

movie title

Eleven-year-old Stet is left to fend for himself when his alcoholic mother dies in a car accident. The boy's father has a new family so he packs off Stet to the National Boychoir Academy, where his singing voice can be honed by head conductor Carvelle and his assistants Drake and Wooly. With close guidance and nurturing from Carvelle, Stet embraces his natural gift and realises that he is not alone in the world after all.

  • GenreDrama
  • CastDustin Hoffman, Garrett Wareing, Eddie Izzard, Kevin McHale, Josh Lucas, Kathy Bates.
  • DirectorFrancois Girard.
  • WriterBen Ripley.
  • CountryUS
  • Duration103 mins
  • Official site
  • Release10/07/2015 (selected cinemas)

An inspirational teacher attempts to coax a troubled boy out of his shell in this predictable yet heart-warming human drama directed by Francois Girard. Eleven-year-old Stet (Garrett Wareing) is left to fend for himself when his alcoholic mother dies in a car accident. The boy's father (Josh Lucas) has a new family and would prefer to hide wastrel Stet from the world so he agrees to pack off the youngster to the National Boychoir Academy, where Stet's singing voice can be honed by head conductor Carvelle (Dustin Hoffman) and his assistants Drake (Eddie Izzard) and Wooly (Kevin McHale). Stet struggles to fit into his regimented new surroundings and his flawless voice sparks a rivalry with one of the other boys. However, with close guidance and nurturing from Carvelle, Stet embraces his natural gift and realises that he is not alone in the world after all.

Showtimes (Click time to book tickets)

Wednesday 29th July 2015
Thursday 30th July 2015

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